Chapter 117
Han Taesung looked at me with a deep, unreadable gaze.
“Are you upset?”
The corner of Han Taesung’s mouth curled up in a strange smile.
“Upset? Well... I’m starting to wonder if I raised a tiger cub.”
“You were the one who advised me that even if it was only a formal title, I should still have the position of co-CEO.”
At my answer, which refused to back down even an inch, Han Taesung’s brows narrowed for a moment.
Then he suddenly laughed as though he found it amusing.
“Haha. That’s true. Maybe I ended up bringing this on myself. Hahaha.”
As if trying to break the strangely sharp atmosphere, Kim Eunkyung gave a short cough.
Han Taesung’s smile faded, and he spoke again.
“Fine. Then let’s talk CEO to CEO.”
He looked directly at me.
“I’m rejecting your proposal.”
It was completely unexpected.
What? Why?
If Han Taesung had recognized the value of Kingdom of Crime, there was no way he should have rejected the proposal so quickly.
I tried to hide my surprise.
“May I ask why you’re rejecting it?”
“Of course.”
Han Taesung answered calmly.
“It sounds nice when you call it a co-production, but in reality, Big Picture would provide the capital while New Wave simply makes the movie.”
He leaned back slightly.
“Isn’t that basically the same as us subcontracting production to New Wave?”
Then he added,
“And if New Wave still takes thirty percent of the profit under those conditions, wouldn’t that be a bad deal for me?”
Han Taesung pointed out that New Wave was still a new film production company.
Director Song Jaehyun’s previous work, Timeless, had been a box-office success.
However, that alone wasn’t enough for New Wave to have enough name value to attract investment on its own.
In other words, wasn’t I ultimately trying to use Big Picture?
Of course, Han Taesung wasn’t wrong.
As expected... Song Jaehyun’s name value and my judgment alone aren’t enough.
Then...
My mind began moving quickly.
At that moment, the documents Han Taesung had just signed regarding the VFX business caught my eye.
“Then how about this?”
Han Taesung looked at me.
“I’ll solve the problem that’s been worrying you.”
“And in return, you invest in Director Song’s movie.”
“My problem?”
Han Taesung tilted his head, clearly wondering what I meant.
I continued.
“Yes.”
“The VFX team’s sales performance.”
“I’ll solve it.”
Han Taesung’s eyes immediately shook.
“Are you saying you have some kind of secret method for increasing the VFX team’s sales performance?”
His gaze was full of suspicion.
“I can’t guarantee it one hundred percent.”
I answered honestly.
“But I do have a method that has a reasonable chance of working.”
“What exactly is this method?”
This time, Kim Eunkyung couldn’t hold back her curiosity and pressed me for an answer.
“I’ll tell you after CEO Han accepts my proposal.”
“Ha... as expected.”
Han Taesung burst into laughter.
“I really did raise a tiger. Hahaha.”
After laughing for a while, he finally spoke.
“Fine.”
He nodded.
“Let’s do it.”
Han Taesung went even further.
If I could improve the VFX team’s sales performance, he would not only invest in Director Song’s movie but would also give me five percent of the VFX team’s operating profit as an incentive.
Five percent of the operating profit?!
Han Taesung smiled at my surprised expression.
“The entire VFX business might disappear soon anyway.”
“What does five percent in performance incentives matter if you can save it?”
Then he leaned slightly forward.
“Now tell me.”
“How exactly are you planning to improve the VFX team’s performance?”
I shrugged slightly at the unexpected incentive and answered.
“We enter Hollywood.”
For a moment, Han Taesung stared at me.
His expression went beyond surprise.
He looked as though what I had said was completely absurd.
The truth was, even though I had spoken confidently, I couldn’t guarantee the result either.
However, according to my memories from before regression, this was around the time when Hollywood blockbuster production companies began showing interest in Korean VFX companies.
And this was also around the time when several Korean VFX companies actually began receiving subcontracting work from major Hollywood studios.
Knowing that trend, I thought that rather than waiting, we might have a chance if we reached out to Hollywood production companies first.
Han Taesung and Kim Eunkyung stared blankly at me for a while.
Then, almost at the same time, both of them burst out laughing.
“Hahaha. Enter Hollywood?”
Han Taesung shook his head.
“I’ll admit your confidence and ambition are impressive, but Hollywood?”
Kim Eunkyung laughed too.
“That was a little too much, Team Leader Min. Hohoho.”
I calmly waited for their laughter to stop.
Only then did they realize that I wasn’t joking.
Their expressions changed again.
“You’re serious.”
“Yes.”
I nodded.
Han Taesung’s expression immediately became serious.
I continued.
“The domestic VFX industry is currently evaluated as having grown in scale, but structurally it’s still unstable.”
In reality, around 2012, Korea’s VFX industry had already received recognition for major technical improvements through films such as Monster, Dragon War, Representative of the Nation, and Sector 8.
However, the market itself was still small.
Most VFX companies barely survived by depending on outsourced work from domestic films and dramas.
Because of that, the common belief in the industry was simple.
We have the technology, but there’s no money in it.
“Are you aware that a Korean VFX company participated as an outside contractor in the upcoming Robot Transformers?”
“Of course I know.”
Han Taesung nodded.
“But that situation can only be described as good luck.”
During production of Robot Transformers, the amount of VFX work had been so enormous that the production company, Paramountains, had no choice but to outsource work to VFX companies around the world.
One Korean VFX company had simply been lucky enough to receive part of that work.
“I know that luck played a big role this time.”
I nodded.
“But one thing is certain.”
“From now on, Hollywood will continue searching for more VFX technology companies.”
“So?”






