Chapter 27

Chapter 27: Competition for Distribution Rights

"We'd like to meet with you to discuss the theatrical programming of Before the Light Reaches and your next project."

Geonwoo sat straighter with the phone against his ear.

"Could you repeat where you're calling from?"

"TGV Content Business Division. My name is Kim Seongho."

Geonwoo checked the number again.

It began with a Seoul landline code.

"How did you get my contact information?"

"The Busan International Film Festival office provided it. Since our company presented the TGV Award, we requested cooperation to discuss follow-up screenings with the winning film."

Geonwoo remembered a text from the festival office the day after closing.

It asked for permission to provide his contact information to the award sponsor for prize payment and follow-up work.

"I see."

"We reviewed ticket sales during the festival and the additional screening records too."

Paper rustled on the other end.

"All three added screenings after your official run had ended sold out."

The man continued.

"Once you decide on a distributor, we'd like to discuss programming at major TGV branches. We may also consider special TGV Award screenings and events attended by the director and cast."

"I haven't chosen a distributor yet."

"Are you currently discussing it with anyone?"

"I'm meeting the company that approached first this afternoon."

"Then there's one more offer I'd like to pass along."

Geonwoo listened.

"TS ENM, another Taesung Group affiliate, is also interested in domestic distribution of Before the Light Reaches."

Geonwoo's hand stopped over the mouse.

"TS ENM?"

"Yes. TGV will explain theatrical programming. TS ENM will explain its distribution terms."

Even without TS ENM handling the film, TGV could still discuss programming.

But if distribution and theater placement moved within the same corporate group, everything could proceed much faster.

Geonwoo remembered something else Kim Seongho had said.

"You also mentioned my next project."

"TS ENM's Investment and Production Division wants to hear about your future plans too. Separate from distribution of this film."

Geonwoo checked his watch.

His Bridge Pictures meeting was at three.

"I'll probably be done with my afternoon schedule after five."

"Then let's meet at six. Could you come to our headquarters?"

"Understood."

After the call, a message containing the address arrived.

Geonwoo checked it, then reopened Yoon Jihye's revised proposal.


At 2:50 p.m.

Geonwoo arrived at the Bridge Pictures building.

When the elevator doors opened, he saw movie posters behind the glass wall.

They were films Bridge Pictures had distributed over the years.

Most had begun in only a few theaters before expanding through word of mouth.

Several titles were films Geonwoo remembered watching in theaters in his previous life.

"Director Baek Geonwoo."

Yoon Jihye was already waiting outside the meeting room.

She wore a suit similar to what she'd worn in Busan.

A thick document envelope was in her hand.

"Was it easy to find the building?"

"Yes."

"Come in."

Inside the meeting room were Yoon Jihye, the head of distribution, and a contract employee.

After a brief greeting, Jihye placed documents in front of Geonwoo.

"This is the revised proposal I mentioned in Busan."

The cover read:

[Domestic Theatrical Distribution Proposal - Before the Light Reaches]

Geonwoo opened it.

The expected release regions were broader than before.

"Before the awards, we were thinking of starting with several theaters in Seoul and Busan."

Jihye pointed to marked regions.

"Now we've included the wider capital region and major metropolitan cities."

She continued.

"Winning both the Audience Award and TGV Award gives us more grounds to negotiate with theaters."

"Can you secure good screening times?"

"Not everywhere."

She answered without hesitation.

"Other films already have confirmed schedules. But we'll prioritize weekday evenings and weekend afternoons."

She opened the next page.

The plan was to add screenings in locations with strong attendance and move weak screenings to other regions.

Behind it were performance records from earlier Bridge Pictures releases.

One film started in 21 theaters during its first week.

By the fourth week, it had expanded to 68.

Jihye showed him seat occupancy by screening time.

"This one nearly got dropped based on total first-week attendance."

She pointed at the graph.

"Weekday mornings were almost empty, but evening screenings kept filling."

Starting in week two, they cut morning screenings and kept evening ones.

They used those numbers to convince other theaters.

From the third week, the film spread to more regions.

"So you didn't start with many theaters."

"With our size, we couldn't have."

Jihye answered honestly.

"But we are good at quickly deciding which screenings to protect and which to give up."

Geonwoo reviewed the theater list again.

Names of theater contacts and previous independent-film results were handwritten beside some locations.

This wasn't simply a plan to contact as many theaters as possible.

It showed which theaters they would negotiate with first and what numbers they would use to demand more.

"You prepared a lot."

"Thank you."

Geonwoo closed the contract.

"This morning, TGV's Content Business Division contacted me."

Jihye's hand stopped.

"TGV?"

"They said they'd like to discuss major branch programming once we have a distributor."

Her expression brightened slightly.

"If TGV contacted you first, that'll help. We can propose special screenings and GVs too."

"TS ENM also wants to distribute the film. I'm meeting them this evening."

Silence.

Yoon Jihye spoke first.

"Then you should hear their proposal."

"You're okay with that?"

"Even if I said I'm not, would you cancel?"

There was a little laughter in her voice.

"TS ENM will probably offer a larger initial release than us and spend more on marketing."

"How long do I have to answer?"

"Please decide by the end of this week."

"That's quick."

"The attention created by the festival won't last forever. We need a distributor before formal theater negotiations can begin."

Jihye paused, then added,

"But don't only look at the number of opening-week screens TS ENM offers."

Geonwoo looked at her.

"Check what other films they're releasing around the same time."

She continued.

"Large distributors handle several movies in a single month."

"Thanks for the advice."

Geonwoo placed the proposal and revised contract back in the envelope.

When he stood, Jihye stood as well.

"If you have questions after your meeting, call me."

"I will."


At six.

Geonwoo received a visitor pass in TGV headquarters.

He was guided into a meeting room.

Kim Seongho stood first.

"Nice to meet you. I'm Kim Seongho, the person who called earlier."

"Baek Geonwoo."

Two TS ENM distribution officials sat beside him.

Their business cards were placed in front of Geonwoo.

TGV Content Business Division.

TS ENM Distribution Business Division.

Kim Seongho turned on the wall display.

The first screen showed the Before the Light Reaches poster and its BIFF screening history.

"At first, we were only considering a special theatrical run for the TGV Award winner."

He clicked the remote.

The additional screening sellouts and online response appeared.

"But after reviewing audience response, we decided this has potential for a full theatrical release."

A map of Seoul and the capital region appeared, with TGV branches marked.

"We intend to release this film in major cities nationwide."

The TS ENM distribution team leader pushed a proposal across the table.

"We reviewed not only the awards but also audience response."

Geonwoo opened it.

The initial release territory was larger than Bridge Pictures' proposal.

The expected number of screens was also higher.

Press preview.

Online advertising.

Marketing built around festival awards.

TGV app and lobby promotion.

Stage greetings featuring the director and cast.

Everything was systematic.

"We'd like to release the film next month."

A preparation timeline appeared.

"Which week?"

"We're considering the third or fourth week."

The display switched to TS ENM's monthly distribution schedule.

An overseas action movie.

A Korean comedy.

An animated film.

Geonwoo scanned the list.

Then his eyes stopped.

Low Ceiling.

A release date was written beside it.

One week later:

Before the Light Reaches.

Geonwoo kept staring.

"Is Low Ceiling's release date confirmed?"

The distribution team leader nodded.

"The official announcement is the only thing left."

"There's no chance it changes?"

"No. Preparations began before BIFF, and the actor schedules are already locked."

"So our movies would release one week apart."

"Yes."

"And you've decided that's acceptable?"

The team leader checked the release calendar.

"There may be audience overlap. We know that. The two films were constantly compared during Busan."

He pointed to Low Ceiling's marketing plan.

"But the marketing direction can differ. Low Ceiling will focus on Seo Jiwan and the disaster genre. Your film will focus on the Busan awards and audience response."

Geonwoo turned pages.

His hand stopped at projected audience numbers.

Target: 100,000.

Upper estimate: 150,000.

"For an independent film, that's a high forecast."

The team leader said.

"The emotional story is supported by a mystery structure where the audience follows the truth behind the incident. That gives it broader accessibility than many independent films."

The analysis wasn't wrong.

Before the Light Reaches was emotional at its core.

But the process of uncovering the incident drove the narrative forward.

Geonwoo lowered the proposal.

"What audience are you targeting for Low Ceiling?"

The team leader glanced at Kim Seongho.

Kim answered directly.

"Three million."

Three million compared with one hundred thousand.

Even if Before the Light Reaches reached the high estimate of 150,000, that was only one-twentieth of Low Ceiling's target.

"What happens when the marketing schedules overlap?"

"We'll operate separate teams."

Geonwoo immediately asked,

"But the company negotiating with theaters is still the same."

The team leader looked at him.

"If both films underperform expectations, you'll need to spend extra advertising money or secure better time slots."

Geonwoo pointed toward both sets of documents.

"In that situation, can you truly give both movies the same priority?"

His voice remained calm.

"Low Ceiling targets three million viewers. My movie targets one hundred thousand."

"If extra money or staff must go to one film first, which one would you choose?"

The distribution team leader didn't avoid the question.

"We'll request programming appropriate for the scale of your movie. We're not saying we'll force it to compete for the same theater sizes and screening counts as Low Ceiling."

"I'm not asking for the same scale from the beginning."

Geonwoo continued.

"I'm asking whether you'll preserve the plan you've shown me even if the situation gets difficult."

Kim Seongho spoke.

"I understand your concern."

He tapped the Before the Light Reaches proposal.

"Low Ceiling is a project the company has prepared for a long time. A large production budget went into it, and many schedules are already fixed."

"But that doesn't mean we're planning to accept your film and neglect it."

Kim looked directly at Geonwoo.

"We prepared a separate distribution and marketing strategy for Before the Light Reaches too."

"And one hundred thousand is not a ceiling. It's simply the first number we believe the movie should cross."

Geonwoo nodded.

TS ENM's proposal was realistic.

They weren't ignoring his film because he was a rookie.

"When do you need an answer?"

Kim answered,

"Don't take too long. If we want to use the attention created by the festival, we need to begin preparation soon."

"I'll answer by tomorrow."

"Understood."

Kim slid another business card toward him.

"And separately from the distribution contract, I'd like to ask one more thing."

"Go ahead."

"Are you preparing your next project?"

"I've written scripts."

"You intend to direct them yourself?"

"Yes."

Kim leaned back.

"Then I'd like you to give us a chance to review them."

"Separate from this distribution contract?"

"Of course."

"Even if I choose another distributor for Before the Light Reaches?"

"If the next project is good, why should we give up just because we didn't win distribution rights to this one?"

Geonwoo picked up the card.

"I'll organize the scripts once more and contact you."

"We'll wait."

Geonwoo stood and bowed to Kim Seongho and the distribution team leader.

"I'll review the proposal carefully."

"We look forward to your answer."

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