Chapter 95. Confucius Says, Mencius Says
Choi Gyu-sik and I slowly organized the situation.
Legally, there was no room for doubt.
The work belonged to Choi Gyu-sik.
He had registered it with the copyright association in an extremely thorough way.
Registering copyright for a screenplay required the full dramatic concept, title, ideas, and a completed script containing all of them.
Problems arose when one of those elements was incomplete.
But Choi Gyu-sik's screenplay had been registered without leaving out even the smallest thing.
He had also kept the registration updated rigorously.
If Park Min-jung still managed to get away with this under those circumstances...
That would be like claiming you could stand in a downpour without your clothes getting wet.
Even so, I still felt uneasy.
No matter how ignorant Park Min-jung was, she probably hadn't touched this project so recklessly without any plan at all.
She must have believed, however clumsily, that there was some way she could legitimately take the work.
Otherwise, she wouldn't have gone this far.
"No. Her entire way of thinking is different. If she were a normal person, she would've done something to me..."
"To you?"
"No, I'd rather not say it with my own mouth... Just understand that there were things. And no, it wasn't an affair or anything like that."
It sounded like she'd done plenty of abnormal things.
He had put up with her for seven semesters.
There had probably been one or two incidents.
"So she really did this without understanding anything?"
"Probably. She once gathered around twenty theater students from nearby Jung-gu University for a large-scale shoot, then disappeared. All she had to do was say the shoot was canceled. Instead, I had to personally apologize to their department chair."
"So she just doesn't think things through."
Then this situation wasn't actually a crisis.
All Choi Gyu-sik had to do was go to the copyright association, say, "That's mine," and they could probably impose restrictions within a day or two.
Then the point must be to use this as an opportunity...
Was there some noise-marketing effect here?
"Whew... Haah. That was close. If it weren't for you, Mr. Do Jun-hyeok, I might've lost my work without even realizing it. Thank you."
"No. I only found out by coincidence."
Then—
Bzzzzt.
A text arrived while I was still thinking.
Was it the next spam?
"Let me check one message."
It wasn't as though anyone else could see these messages anyway.
I immediately opened the spam.
[Title: 4/5]
[Recorded: 2025.02.16. 14:35]
2025?
It was 2023 now.
Why was I suddenly receiving footage from two years in the future?
I played the video.
It showed a conversation at some construction site.
"So what you're saying is, the reason they figured it out was because he'd already registered that copyright or whatever ahead of time, right? If he hadn't, the thing would've been stolen right out from under him."
"Exactly."
"Damn... What a thieving bitch."
"Still, that thief must've had some kind of instinct. What was it called again? Best Picture... Best Director... some foreign movie-award thing? The Academy Awards? Anyway, you know what I mean. She somehow picked out, like a fortune teller, the masterpiece that ended up sweeping every damn award there was."
"If they hadn't run out of budget halfway through, it would've won the production-design award too."
"Right. So before you smash anything with the equipment, look around carefully and see if there's anything worth saving. Who knows? Maybe something precious enough to become a family heirloom is buried somewhere."
"Family heirloom, my ass... Look at that pond. You know how much those narrow-mouthed frogs are worth? If there are enough of them, that's tens of billions of won right there. Tens of billions."
It was a conversation between construction workers.
Videos really were useful.
This was already the second time I'd received a conversation clip.
The sound was clear.
The image was clear.
This was the final spam before the next upgrade, and I was already looking forward to what came after.
The location wasn't just some ordinary construction site either.
It was the outdoor Odu-ri film set on Ganghwa Island.
Whenever productions lacked the budget for giant Texas-like plains, they often filmed at Odu-ri.
I'd once gone there for a blockbuster-concept music video shoot.
I distinctly remembered it because I'd seen more than one ghost there at night.
The part where they said before smashing things made it sound like filming had already ended and they were dismantling the set.
So those construction workers were probably discussing behind-the-scenes stories from the production.
Copyright.
Thieving woman.
It was clearly about the copyright dispute between Choi Gyu-sik and Park Min-jung.
And since they were calling her a thief, it looked like Choi Gyu-sik successfully protected his copyright just as expected.
The important keywords were:
Budget ran out.
Frogs worth tens of billions.
Academy Awards.
"What are you looking at so blankly?"
"Huh? Ah, nothing. It's nothing."
Based on what the workers had said, the movie apparently swept all kinds of awards at the Academy Awards.
If that was true, then it was the kind of gigantic hit that would dominate the news for days.
When the author of 〈Hanyang〉 won the Man Booker Prize, the country talked about it nonstop.
The same happened when Director Bong Man-ho swept multiple categories at Cannes.
Apparently Choi Gyu-sik would follow in that lineage.
The project looked closer to an art film, so I'd been considering the possibility of declining.
But if this was what happened...
We had to do it.
Absolutely.
But they ran out of budget and missed the production-design award?
And what about those frogs?
There was one thing that immediately came to mind when I heard narrow-mouthed frogs.
Looks like the production company had drawn a dud.
"Anyway, we should fix this quickly. Call the copyright association, call the production company, whatever. What was the production company called again?"
The company was called XX Studio.
"Wait. Let's think about this a little more."
"Why? If we start dragging this out, I'm the one who'll get a headache."
"Just give me a moment."
Finding endangered narrow-mouthed frogs at a film set was about as bad an omen as you could get.
The Odu-ri set already had a great atmosphere.
If you demolished a few structures, rebuilt them, and reused the location, it was efficient and saved money.
But if you cleared the wrong building and discovered a habitat for endangered frogs, things became complicated.
By law, you had to identify exactly how and where they were living and create a replacement habitat for them.
Violating that was serious.
And building the habitat cost a fortune.
Morally speaking, that was obviously correct.
The endangered frogs had been living peacefully in a home they'd made for themselves.
Then some excavator rolled in and destroyed everything.






